SLOWLY TURNING NARRATIVE
Video/sound installation Central rotating screen, mirrored on one side; two channels of video projections at opposite ends of space, one color, one black and white, in large, dark room; amplified mono sound, one speaker; amplified mono sound, five speakers
Projected image size: 9 ft x 12 ft (2.75 x 3.65 m)
Room dimensions: 14 x 20 x 41 ft (4.3 x 6.1 x 12.5 m)
A large screen (275 x 365 cm) is slowly rotating on a central axis in the center of a large dark room. Two video projectors are facing it from opposite sides of the space. One side of the screen is a mirrored surface, the other side a normal projection screen. One projector shows a constant black-and-white image of a man's face in close up, in harsh light, appearing distracted and at times straining. The other projector shows a series of changing color images (young children moving by on a carousel, a house on fire, people at a carnival at night, kids playing with fireworks, etc.), characterized by continuous motion and swirling light and color. On the black-and-white side, a voice can be heard reciting a rhythmic repetitive chant of a long list of phrases descriptive of states of being and individual actions. On the color-image side, the ambient sounds associated with each image are heard.
The beams from the two projectors distort and spill out images across the shifting screen surface and onto the walls as the angle of the screen alternately widens and narrows during the course of its rotations. The mirrored side sends distorted reflections continually cascading across the surrounding walls—indistinct gossamer forms that travel around the perimeter of the room. In addition, viewers in the space see themselves and the space around them reflected in the mirror as it slowly moves past.
The work is concerned with the enclosing nature of self-image and the external circulation of potentially infinite (and therefore unattainable) states of being, all revolving around the still point of the central self. The room and all persons within it become a continually shifting projection screen, enclosing the image and its reflections, and all locked into the regular cadence of the chanting voice and the rotating screen. The entire space becomes an interior for the revelations of a constantly turning mind absorbed with itself. The confluences and conflicts of image, intent, content, and emotion perpetually circulate as the screen slowly turns in the space.