Ixone Sádaba

Enrolls in the faculty of fine arts at the Universidad del País Vasco; will graduate in 2000.

Sádaba&#8217;s first solo exhibition, ¡000002 murciélagos!, is held at Mina Espazio in Bilbao.

Awarded a Leonardo da Vinci grant by Confebask in Bilbao.

Enrolls in a master&#8217;s program in advertising art direction at the Universidad Antonio de Nebrija in Madrid.

Receives a grant from the Fundación Bilbao Arte Fundazioa in Bilbao. Inaugurates the installation Siento EGO existo at the Centro de Arte Ego in Madrid. Mounts the installations Here and There at the Fundação de Serralves in Porto and La mirada at the Fundación Marcelino Botín in Santander, Spain.

Receives a grant for plastic arts from the provincial government of Vizcaya. Receives a Laus award for communication and design and is a finalist in the Purificación García photography competition. Exhibits at the Centro Cultural Bastero Kulturgunea in Andoain, Spain; Espacio Abisal in Bilbao; and Galería Fernando Pradilla in Madrid.

Receives a grant for plastic arts from the Basque government. Sádaba&#8217;s work is included in the exhibitions accompanying the Premio Ertibil de Artes Plásticas, sponsored by the provincial government of Vizcaya, and the XXXII Premio Bancaixa de Pintura, Escultura y Arte Digital in Valencia, Spain. Exhibits at Galería Altamira in Gijón, Spain, and Espacio Marzana and Fundación Bilbao Arte Fundazioa, both in Bilbao. Sádaba&#8217;s work is included in the exhibition Antirrealismos: Spanish Photomedia Now at the Australian Centre for Photography in Sydney; the exhibition later travels to Hobart, Brisbane, Perth, and Adelaide, Australia, and New Plymouth, New Zealand.

The Spanish Ministry of Foreign Affairs awards Sádaba a postgraduate study grant. Exhibits at Galería JM in Málaga, Spain, and Witzenhausen Gallery in Amsterdam. Sádaba&#8217;s work is shown in the exhibitions Oracle of Truth at Aeroplastics Contemporary in Brussels and Miradas de mujer at the Museo de Arte Contemporáneo Esteban Vicente in Segovia, Spain. Receives a Director&#8217;s Fund Scholarship from the International Center of Photography in New York.

Exhibits at Casa Torre de Ariz in Basauri, Spain, Galería El Museo in Bogotá, and Galería JM in Málaga, Spain. Shows the projection series Producciones at the Museo Nacional Centro de Arte Reina Sofía in Madrid. Sádaba&#8217;s work is included in exhibitions at Christopher Cutts Gallery and the Museum of Contemporary Canadian Art, both in Toronto, the Sala Rekalde in Bilbao, and Artium, Centro Museo Vasco de Arte Contemporáneo in Vitoria, Spain.

Has a solo exhibition, The Expulsion from Paradise, at Witzenhausen Gallery in Amsterdam. Sádaba&#8217;s work is included in the exhibitions Chacun à son goût at the Guggenheim Museum Bilbao and Existencias at the Museo de Arte Contemporáneo de Castilla y León in León, Spain.

Exhibits at Galería Altamira in Gijón, Spain. Her work is shown in the exhibitions The Fabulous Life of&#8230; at Witzenhausen Gallery in Amsterdam and The Art of Caring: A Look at Life Through Photography at the New Orleans Museum of Art.

Her work is exhibited at Espacio Marzana, Bilbao.

Her work is shown in a group exhibition at the Witzenhausen Gallery in New York and Amsterdam. Her work is featured in group exhibitions organized at La Casa Encendida, Madrid, and at the Witzenhausen Gallery, New York.

The exhibition Following the History of Representation opens at the Witzenhausen Gallery, Amsterdam. The artist&#8217;s work is featured in the group exhibition Olor Color. Química, Arte y Pedagogía at Arts Santa Mònica, Barcelona Participates in the exhibition Premios Generación 2011, La Casa Encendida, Madrid. Sádaba currently resides in New York and is working on a project through the International Studio &amp; Curatorial Program (ISCP).

An exhibition of her work, La nuit américaine, opens at Claudio Botello Contemporary in Turin, Italy.

Her work is part of the exhibition Colección Alicia Aza at Museo Lázaro Galdiano in Madrid. 
Participates in Mugaz Beste, an exhibition held in Crypte Sainte Eugénie in Biarritz, France, and in Bienal del Sur in Panama City.

Her project Not Unfaithful to the Spirit of the Thing is on show at Espacio Marzana in Bilbao. 
Her series Gulala can be seen at Tasneem Gallery in Barcelona, Spain. 
Participates in P2P, a project by PHotoEspaña, Madrid. 
Her work is part of the exhibitions Eremuak at Artium Vitoria-Gasteiz and Suturak // Cerca a lo próximo at San Telmo Museoa in Donostia/San Sebastián, and of Bienal Desde 
Aquí in Bucaramanga, Colombia.

Her work is included in several exhibitions: Figurados, figuraciones, figurantes at Iberdrola Tower in Bilbao; Entre lo individual y lo colectivo at San Telmo Museoa in Donostia/San Sebastián; and Eremuak at Artium Vitoria-Gasteiz.

Her work Superficie, precipitada is shown at Michel Soskine Inc. in Madrid. 
Participates in Ni captius ni desarmats, an exhibition held at Centre Cultural La Nau in Valencia, Spain.

The exhibition En este lugar, 138 veces opens at Sala Rekalde in Bilbao. 
Shows This Is Not My Body at Tasneem Gallery in Barcelona, Spain.

Her work can be seen in ARTres. The Museum as It Should Be, at Artium Vitoria-Gasteiz.

Participates in Encounters with Artists, a program organized by Artium Vitoria-Gasteiz.

Takes part in Artea oinez, the annual contemporary art exhibition staged at Palacio del Condestable in Pamplona, Spain.
Is one of the artists featured in 20 gorputz: 20 artista (20 Bodies: 20 Artists), held at the Museum of Artistic Reproductions in Bilbao, Spain.
Gets the Leonardo Grant in Visual Arts and Digital Art from La Caixa Foundation for her photographic project Echar el olvido al futuro.

Gets award from the Community of Madrid at the Estampa Contemporary Art Fair. Centro de Arte Dos de Mayo acquires the works Masa informada/Masa deformada/Masa conformada, presented at the fair.

Her work is part of Tradizio moderno bat (Una tradición moderna/A Modern Tradition), a group exhibition organized to celebrate the 25th anniversary of BilbaoArte and the opening of the Uribitarte 40 Hall.
Gets grant from the Roma program of the Spanish Royal Academy in Rome.
Joins other artists in the 40th Ertibil Bizkaia, the contemporary regional art project of the Provincial Government of Bizkaia at Sala Rekalde.

Sádaba, Ixone

Poetics of Disappearance

Ixone Sádaba’s biography and works on display at the Guggenheim Museum Bilbao

Biografía y obras: Sádaba, Ixone | Guggenheim Museum Bilbao

Xabier Salaberria

Born on January 31 in Donostia-San Sebastián (Basque Country).

Participates in the &#8220;Ángel Bados-Txomin Badiola Workshop&#8221; and the &#8220;Peio Irazu Workshop&#8221;, both held at Arteleku in Donostia-San Sebastián.

Receives a visual arts grant from the Provincial Council of Gipuzkoa.

Participates in Superkongresua, encuentro entre creadores artísticos, an encounter of artistic creators organized by Donostiako Arte Ekinbideak (D.A.E.) at the Casa de Cultura Egia in Donostia San Sebastián. Creates the sculpture Untitled (Platform) [Sin título (plataforma)] for the Arteleku garden in Donostia-San Sebastián.

Has an intervention in the group show Gure Artea 2002 at the Sala Rekalde in Bilbao. Participates in Garai Txarrak, an art project organized to mark the reopening of Arteleku in Donostia-San Sebastián.

Designs &#8216;Film Ideal Forever&#8217; (Film Ideal Siempre), in collaboration with Gorka Eizagirre, for the D.A.E. in the context of Manifesta 5, the European Biennial of Contemporary Art, held in Donostia-San Sebastián.

Is awarded a residency at the Rooseum Center for Contemporary Art in Malmö, Sweden. Designs and builds the architecture of the screening rooms and furnishings for the documentation area of the group exhibition Sessió Contínua at the Centre de Cultura Contemporània de Barcelona (CCCB). Teams up with Gorka Eizagirre to produce the project Share your time drink and food in Kunstverein, in the coffee shop of the Frankfurter Kunstverein. Presents the furniture-archive-piece Untitled, created with Luca Frei, in the exhibition La insurrección invisible de un millón de mentes at the Sala Rekalde in Bilbao.

Presents a one-man show at the cultural association Liquidación Total in Madrid. His work is featured in the group exhibition Attitude at the Atle Gerhardsen Gallery in Berlin.

Is awarded a residency with the ACC Internationale Atelierprogramme in Weimar, Germany. The show Xabier Salaberria opens at Galería Carreras Múgica in Bilbao. Presents Part II of An Unbuilt Project in the group show The Big Easy, held at the art center Halle 14 in Leipzig, Germany.

Obtains the first prize in the 2008 Gure Artea competition, organized by the Basque Government, together with Asier Mendizabal and Iratxe Jaia/Klaas van Goekum. The prize-winning work is featured in the group exhibition Gure Artea 2008 at the Sala Rekalde in Bilbao. Is invited to participate in the Helsinki International Artist-in-Residence Programme (HIAP) in Helsinki. Presents the installation Cold Front at the Frankfurter Kunstverein, and at U-Turn, the Quadrennial for Contemporary Art in Copenhagen.

Receives the Visual Arts Grant from Fundación Marcelino Botín in Santander (Cantabria). His work is included in the group show An Unexpected Thought &#8211; Function in Contemporary Art at the Göteborgs Konsthall in Göteborg, Sweden. Designs the exhibition space for the show El mal de escritura at the Centro de Estudios y Documentación MACBA in Barcelona.

Participates in the residency project Memories and Encounters at Viafarini, an organization for contemporary art based in Milan, Italy. Participates in the group shows Antes que todo, at the Centro de Arte Dos de Mayo (CA2M) in Madrid, and A History of Irritated Material at Raven Row in London.

Receives the 2011 Art and Research Grant from Centro Cultural Montehermoso in Vitoria-Gasteiz (Basque Country). Inkontziente/ kontziente opens at Galería Carreras Múgica in Bilbao. His work is featured in the group exhibitions Eine Grammatik der dritten Person at Corner College in Zürich, Szenarien über Europa: Szenario 1 at GFZK Galerie für Zeitgenössische in Leipzig, Moderno y presente. Cambio de siglo en la colección MACBA at the Museu d&#8217;Art Contemporani de Barcelona (MACBA), and Itinerarios 2009-2010. XVII Becas Fundación Botín de Arte at the Fundación Marcelino Botín exhibition hall in Santander.

His work is included in the group shows Constelación Europa at the Museo San Telmo in Donostia-San Sebastián, and The Society Without Qualities at the Tensta Konsthall in Stockholm. Exhibition at the Guggenheim Museum Bilbao with Erlea Maneros Zabala and Iñaki Garmendia. 
Participates in the show Constelación Europa, held at San Telmo Museoa in Donostia/San Sebastián. 
His installation A.T.M.O.T.W. (2013) is part of the exhibition Garmendia, Maneros Zabala, Salaberria. Process and Method, organized by the Guggenheim Museum Bilbao.

His work is featured in group exhibitions such as Une machine désire de lʼinstruction comme un jardin désire de la discipline, at FRAC Lorraine in Metz, France; El contrato, Alhóndiga Bilbao; and Suturak // Cerca a lo próximo, at San Telmo Museoa in Donostia/San Sebastián.

Presents Restos materiales, obstáculos y herramientas at the 32nd São Paulo Biennial in Brazil. 
A solo exhibition, under the title Can-ni-faire, is on at Galería CarrerasMugica in Bilbao.

[martillo puño, flecha dedo] opens at Parallel in Mexico City.

Salaberria’s and Martín Ferran’s works are shown in the exhibition Una exposición sin arquitectura at Half House in Barcelona, Spain.

Salaberria, Xabier

A.T.M.O.T.W.

Xabier Salaberria’s biography and works on display at the Guggenheim Museum Bilbao

Biografía y obras: Salaberria, Xabier | Guggenheim Museum Bilbao

Doris Salcedo

Receives a bachelor of fine arts degree from the Universidad de Bogotá Jorge Tadeo Lozano in Bogotá.

Receives a master of fine arts degree from New York University in New York.

Exhibits at Casa de la Moneda in Bogotá.

Participates in the XXXI Salón Anual de Artistas Colombianos in Medellín.

Exhibits at Galería Garcés Velásquez in Bogotá.

The Shedhalle Zürich presents an exhibition of Salcedo&#8217;s work.

Participates in Aperto 93 at the XLV Biennale di Venezia.

Brooke Alexander Gallery in New York presents the solo exhibition La Casa Viuda. 
Salcedo&#8217;s work is included in Cocido y crudo at the Museo Nacional Centro de Arte Reina Sofía in Madrid.

Receives a John Simon Guggenheim Memorial Foundation grant. 
Exhibits for the first time at White Cube in London.

Exhibits at Le Creux de l&#8217;Enfer in Thiers, France; L. A. Louver in Los Angeles; and Galería Camargo Vilaça in São Paulo.

The New Museum of Contemporary Art in New York presents the exhibition Doris Salcedo/Unland, which later travels to SITE Santa Fe and the San Francisco Museum of Modern Art. 
Salcedo&#8217;s work is included in the exhibition Roteiros at the XXIV Bienal de São Paulo.

Salcedo&#8217;s Unland series is exhibited for the first time in Europe at the Tate Gallery in London. 
Her work is featured in Modern Starts: Places at the Museum of Modern Art in New York.

Alexander and Bonin in New York presents Doris Salcedo, Tenebrae: Noviembre 7, 1985. 
Salcedo&#8217;s work is included in exhibitions at the San Francisco Museum of Modern Art; Museum of Contemporary Art in Chicago; Tate Modern in London; and the Museum of Modern Art in New York.

The Camden Arts Centre in London presents an exhibition of the artist&#8217;s work. 
Salcedo&#8217;s work is featured in Versiones del Sur: Estética del suenõ at the Museo Nacional Centro de Arte Reina Sofía in Madrid.

Participates in Documenta 11 in Kassel and Imagine, You Are Standing Here in Front of Me at the Museum Boijmans Van Beuningen in Rotterdam. 
Salcedo&#8217;s work is included in group exhibitions at Alexander and Bonin in New York and White Cube in London.

Participates in the 8th Istanbul Biennial.

Presents Neither at White Cube in London.

Receives the Ordway Prize, awarded by the Penny McCall Foundation in New York. 
Participates in Abyss: T1 Triennial of Contemporary Art at Castello di Rivoli in Turin.

Salcedo&#8217;s Shibboleth is installed in the Turbine Hall at Tate Modern in London. 
The artist&#8217;s work is also shown at White Cube in London.

Alexander and Bonin in New York presents an exhibition of the artist&#8217;s work. 
Inhotim, Centro de Arte Contemporânea, in Brumadinho, Brazil, presents Neither. 
Salcedo&#8217;s work is included in NeoHooDoo: Art for a Forgotten Faith at the P.S.1 Contemporary Art Center in New York and the Menil Collection in Houston.

Receives the Premio Velázquez de Artes Plásticas from the Spanish Ministry of Culture.

Salcedo&#8217;s installation Plegaria Muda is exhibited at the Moderna Museet in Malmö, Sweden; CAM, Fundação Calouste Gulbenkian in Lisbon; and Museo Universitario Arte Contemporáneo in Mexico City. 
Work by Salcedo is included in the exhibition New Order at White Cube in London.

Her work is selected for the exhibition Inhabited Architecture at the Guggenheim Museum Bilbao. 
White Cube in London and Museo nazionale delle arti del XXI Secolo (MAXXI) in Rome show her work. 
Salcedo is represented in the touring exhibition This Will Have Been: Art, Love &amp; Politics in 1980s, held in the Museum of Contemporary Art Chicago, the Walker Art Center in Minneapolis, and the Institute of Contemporary Art (ICA) in Boston, USA. 
Participates in exhibitions organized in the USA: The Residue of Memory, at the Aspen Art Museum, and Silence, at The Menil Collection in Houston. Her work is also shown at the Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley.

Participates in the group exhibitions Lasting Images, organized by the Solomon R. Guggenheim Museum in New York, and Order, Chaos, and the Space Between: Contemporary Latin American Art from the Diane and Bruce Halle Collection, at the Phoenix Art Museum, Arizona, USA.

Receives the Hiroshima Art Prize as the Hiroshima City Museum of Contemporary Art holds an exhibition of her work. 
Shows Plegaria Muda at FLORA Ars+natura in Bogotá, Colombia. 
Her works are part of group exhibitions such as Les Gueeles Cassées: Scars of the Great War in Contemporary Art, at Kunsthalle Mainz, Germany; Daros Latinamerica Collection, at Fondation Beyeler in Basel; and Exposición 93, at CGAC – Centro Galego de Arte Contemporánea in Santiago de Compostela, Spain.

The major retrospective titled Doris Salcedo is organized by the Museum of Contemporary Art Chicago, USA. The exhibition later travels to the Solomon R. Guggenheim Museum in New York and the Pérez Art Museum Miami (PAMM), USA.

Wins the Nasher Prize. 
Plegaria Muda is shown at the Nasher Sculpture Center in Dallas. 
Doris Salcedo: The Materiality of Mourning is organized by the Harvard Art Museums in Boston, USA. 
Her work Plegaria Muda is part of the exhibitions Inside: Artists and Writers in Reading Prison, HM Prison Reading, UK, and A Slow Succession with Many Interruptions, San Francisco Museum of Modern Art, USA.

The solo exhibition Palimpsesto opens at Museo Nacional Centro de Arte Reina Sofía (MNCARS) in Madrid. 
Her work forms part of the group exhibitions As if Sand Were Stone: Contemporary Latin American Art from the AGO Collection, at the Art Gallery of Ontario in Toronto (Canada), and Ruptures at the Des Moines Art Center in Iowa, USA.

Presents solo exhibition at White Cube Bermondsey and takes part in the group exhibition Memory Palace at White Cube Mason’s Yard in London. 
Her work is included in Prints 2003–2009, held at the Alexander and Bonin gallery in New York.

Salcedo, Doris

<div class="artist-milestones__milestone">
<div class="typography typography--h5 artist-milestones__milestone-date">1980</div>
<div class="typography typography--body content">
<div>
Receives a bachelor of fine arts degree from the Universidad de Bogotá Jorge Tadeo Lozano in Bogotá.
</div>
</div>
</div>
<div class="artist-milestones__milestone">
<div class="typography typography--h5 artist-milestones__milestone-date">1984</div>
<div class="typography typography--body content">
<div>
Receives a master of fine arts degree from New York University in New York.
</div>
</div>
</div>
<div class="artist-milestones__milestone">
<div class="typography typography--h5 artist-milestones__milestone-date">1985</div>
<div class="typography typography--body content">
<div>
Exhibits at Casa de la Moneda in Bogotá.
</div>
</div>
</div>

Untitled

Doris Salcedo’s biography and works on display at the Guggenheim Museum Bilbao

Biografía y obras: Salcedo, Doris | Guggenheim Museum Bilbao

Antonio Saura

Contracts tuberculosis and has to stay in bed for five years.

Holds his first solo exhibition, at the Libros de Zaragoza bookshop in Saragossa.

Self-publishes his poetic text Programio.

Saura&#8217;s first exhibition in Madrid takes place at the Buchholz bookshop.

Moves to Paris, where he meets the Surrealists.

The Biblioteca Nacional de España in Madrid holds an anthologic exhibition on Saura&#8217;s work.

His first solo exhibition in Paris takes place at Galerie Stadler. Co-founds the group El Paso, along with artists Rafael Canogar, Luis Feito, and Manuel Millares, among others.

Participates, together with Eduardo Chillida and Antoni Tàpies, in the XXIX Biennale di Venezia.

Participates in Documenta 2 in Kassel, Germany. El Paso exhibits at the Musée des Arts Décoratifs in Paris. Creates his first engravings. Publishes the essay Espacio y gesto.

Receives the Guggenheim International Award. Creates several sculptures. El Paso takes part in two exhibitions in New York: New Spanish Painting and Sculpture at the Museum of Modern Art and Before Picasso, After Miró at the Solomon R. Guggenheim Museum. The group disbands in April.

Holds his first solo exhibition in New York at Pierre Matisse Gallery.

The Stedelijk Van Abbemuseum in Eindhoven, the Netherlands, holds a retrospective exhibition of Saura&#8217;s work that is also mounted at the Rotterdamsche Kunstring in Rotterdam.

A retrospective of Saura&#8217;s works on paper travels to the Stedelijk Museum in Amsterdam, Staatliche Kunsthalle Baden-Baden, and Göteborgs Konsthall in Göteborg, Sweden. Takes part in Documenta 3 in Kassel, Germany. Receives the Carnegie Prize, awarded by the Carnegie Museum of Art in Pittsburgh, along with Eduardo Chillida and Pierre Soulages. Second solo exhibition in New York at Pierre Matisse Gallery.

Destroys roughly one hundred of his works in Cuenca, Spain.

Exhibits at the Institute of Contemporary Arts in London.

Makes his permanent home in Paris, where he exhibits at Galerie Stadler. Destroys part of his work for the second time.

Exhibits at the Frankfurter Kunstkabinett in Frankfurt, Germany. Decides to stop oil painting, a decision he will uphold for ten years.

The first monograph on Saura&#8217;s work is published by Gustavo Gili.

A group of far-right activists attacks Saura&#8217;s exhibition at Galería Juana Mordó in Madrid.

Exhibits at galleries in Stockholm, the Hague, Barcelona, Mexico City, and Munich.

Takes part in Documenta 6 in Kassel, Germany. Publishes a book of etchings entitled Cámara ardiente.

Exhibits recent graphic work at the Fondation nationale des arts graphiques et plastiques in Paris.

A retrospective exhibition of Saura&#8217;s work is held at the Stedelijk Museum in Amsterdam and later travels to several museums in Europe. A deliberately set fire destroys part of his archives and collection.

Named Chevalier de l&#8217;Ordre des Arts et des Lettres by the French government.

The Museo de Arte Contemporáneo in Madrid organizes a traveling exhibition of Saura&#8217;s work that is presented in several cities in Spain. Publishes the pamphlet Contra el Guernica. Awarded the Medalla de Oro al Mérito en las Bellas Artes by the Spanish Ministry of Culture.

Designs the sets for the ballet Carmen, produced by Carlos Saura and Antonio Gades, at the Théâtre de Paris. Director José María Berzosa shoots the film version of Carmen.

Begins the Auto de fe series of paintings.

Has a show at Cabinet des Estampes in Geneva. Mariuccia Galfetti publishes a catalogue raisonné of Saura&#8217;s graphic work.

The Neue Galerie-Sammlung Ludwig in Aachen, Germany, holds a retrospective exhibition of his work.

Creates the illustrations for the Círculo de Lectores edition of Don Quixote.

The Musée d&#8217;art et d&#8217;histoire in Geneva organizes a retrospective exhibition of Saura&#8217;s large-format canvases that travels to several other museums, including the Institut Valencià d&#8217;Art Modern in Valencia, Spain, and the Museo Nacional Centro de Arte Reina Sofía in Madrid, the following year.

Named Officier de l&#8217;Ordre des Arts et des Lettres by the French government.

Presents the exhibition El perro de Goya at the Salas del Arenal in Seville and the Museo de Bellas Artes in Saragossa, Spain.

A retrospective exhibition of Saura&#8217;s paintings between 1948 and 1990 is held at the Museo d&#8217;Arte Moderna della Città di Lugano in Lugano, Switzerland. Saura&#8217;s early work is shown at the Museo de Teruel in Teruel, Spain.

Receives the Grand Prix des Arts de la Ville de Paris.

Dies on July 22. The Institut Valencià d&#8217;Art Modern organizes the exhibition Antonio Saura en las colecciones valencianas.

Saura, Antonio

24 heads

Crucifixion

Imaginary Portrait of Goya

Karl-Johann Strasse II

Antonio Saura’s biography and works on display at the Guggenheim Museum Bilbao

Biografía y obras: Saura, Antonio | Guggenheim Museum Bilbao

Julian Schnabel

Moves with his family to Brownsville, Texas.

Enrolls at the University of Houston, where he will earn a fine arts degree four years later.

Moves to New York after being accepted into the Independent Study Program at the Whitney Museum of American Art. Meets Joel Shapiro, Sigmar Polke, and Blinky Palermo.

Holds his first solo exhibition, at the Contemporary Arts Museum in Houston.

Exhibits at Galerie Dezember in Düsseldorf. Creates his first &#8220;plate paintings&#8221; and begins to use fragmentation in his work.

Holds two solo exhibitions at Mary Boone Gallery in New York.

Exhibits at Galerie Bruno Bischofberger in Zurich and the Kunsthalle Basel. Takes part in the XXXIX Biennale di Venezia.

Exhibitions of Schnabel&#8217;s work are held simultaneously at Mary Boone Gallery and Leo Castelli Gallery, both located in the same building in New York. Schnabel&#8217;s work is featured in the exhibition A New Spirit in Painting at the Royal Academy of Arts in London. Takes part in the Whitney Biennial at the Whitney Museum of American Art in New York. Begins to incorporate found objects into his paintings.

Participates in the XL Biennale di Venezia . Creates his first sculptures in bronze. A show of Schnabel&#8217;s work opens at the Stedelijk Museum in Amsterdam and travels to the Tate Gallery in London. Schnabel&#8217;s work is included in New York Now at the Kunsthalle Düsseldorf and New Tendencies in New York at the Palacio de Velázquez, Museo Nacional Centro de Arte Reina Sofía in Madrid.

He has exhibitions in both Madrid and Barcelona.

Creates a series of works on waterproof canvas in Mexico.

Participates in Beuys zu Ehren, a homage to Joseph Beuys, at the Städtische Galerie im Lenbachhaus in Munich, showing Grab für Joseph Beuys. A show of Schnabel&#8217;s work travels to several museums in Japan. The Whitechapel Art Gallery in London organizes a retrospective of his painting that will travel to the Musée National d&#8217;Art Moderne, Centre Georges Pompidou, in Paris; the Kunsthalle Düsseldorf; the Whitney Museum of American Art in New York; the San Francisco Museum of Modern Art; and the Museum of Fine Arts in Houston during the following two years.

Exhibits the series The Recognitions at the ruins of the Convento del Carmen-Cuartel del Carmen in Seville, an exhibition that will later travel to the Kunsthalle Basel.

The Museum für Gegenwartskunst in Basel organizes a major retrospective of Schnabel&#8217;s work on paper that will travel to museums in Nîmes, Munich, Brussels, Edinburgh, and Chicago. Exhibits recent work at CAPC, Musée d&#8217;Art Contemporain de Bordeaux and paintings, drawings, and sculptures at the Museo d&#8217;Arte Contemporanea in Prato, Italy.

Shows a series of mural-like paintings (6.7 x 6.7 m) at Carré d&#8217;Art-Musée d&#8217;Art Contemporain in Nîmes, France. An outdoor exhibition of bronze sculptures by Schnabel is held in Saint Moritz, Switzerland.

Begins work on a series dedicated to Olatz López Garmendia.

Begins to introduce photographs in his works on paper.

Two retrospectives of Schnabel&#8217;s work are organized in Mexico, at the Museo de Monterrey and the Museo Rufino Tamayo in Mexico City.

The Fundació Joan Miró in Barcelona presents an exhibition of his work.

The biopic Basquiat, written and directed by Schnabel, premieres. The Galleria d&#8217;Arte Moderna in Bologna holds a retrospective of Schnabel&#8217;s work.

Schnabel&#8217;s work is included in The Guggenheim Museums and the Art of This Century, the inaugural exhibition of the Guggenheim Museum Bilbao. Takes part in the XLVII Biennale di Venezia.

Schnabel&#8217;s work is included in International Currents in Contemporary Art at the Guggenheim Museum Bilbao.

Directs his second film, Before Night Falls, about Cuban writer Reinaldo Arenas, which stars Johnny Depp and Javier Bardem. The film wins the Jury Prize at the Venice Film Festival.

Schnabel&#8217;s work is exhibited at the Los Angeles County Museum of Art.

Exhibits at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf.

Pace Wildestein Gallery, New York, mounts an exhibition entitled New Indian Paintings and Selected Sculpture. The publishing house Harry N. Abrams publishes Julian Schnabel.

A retrospective of Schnabel&#8217;s paintings opens at the Schirn Kunsthalle Frankfurt and later travels to the Palacio de Velázquez, Museo Nacional Centro de Arte Reina Sofía in Madrid and the Mostra d&#8217;Oltremare in Naples.

Directs his third feature film, The Diving Bell and the Butterfly (Le scaphandre et le papillon), a French production of Jean-Dominique Bauby&#8217;s novel of the same name.

Receives the Best Director Award at the Cannes Film Festival for The Diving Bell and the Butterfly . Nominated for the Gucci Group Award at the Venice Film Festival. Exhibits at the Beijing World Art Museum in Beijing, 10 Chancery Lane Gallery in Hong Kong, Palazzo Venezia in Rome, and Palazzo Reale in Milan. Tabacalera, Centro Internacional de Cultura Contemporánea, in San Sebastián, Spain, presents Summer: Julian Schnabel.

Receives the Golden Globe Award for Best Director for The Diving Bell and the Butterfly). The film is also nominated for four Academy Awards. Exhibits at the Museum of Contemporary Art Kiasma in Helsinki and the Zendai Museum of Modern Art in Shanghai. Schnabel&#8217;s work is included in UBS Openings: Paintings from the 1980s at Tate Modern in London.

Schnabel&#8217;s work is included in New Acquisitions—Rarely Seen Works at the Ludwig Múzeum in Budapest and Paint Made Flesh at the Frist Center for the Visual Arts in Nashville, Tennessee, and the Phillips Collection in Washington, D.C.

MIXED MEDIA WORKS ON PAPER &amp; MASTER PRINTS opens at the Nikola Rukaj Gallery in Toronto, Canada, and Julian Schnabel: Art and Film opens at the Art Gallery of Ontario, also in Toronto. Schnabel&#8217;s Polaroids are exhibited at Forum Kultur und Wirtschaft, Düsseldorf, and at the Colnaghi in London; the exhibition will later be on show at Fotomuseum Den Haag, The Hague, Centro Niemeyer in Avilés, Spain, and at diCHromA Photography, Madrid. Presents his film Miral at the Venice Film Festival. His work is featured at the Whitney Museum of American Art, New York, as part of the exhibition Collecting Biennials. Announces a two-year partnership with the company Maybach; Maybach presents a Schnabel sculpture entitled Queequeg at Art Basel, Miami.

Julian Schnabel. Permanently Becoming and the Architecture of Seeing opens at the Museo Correr in Venice, Italy. Premiere of Schnabel&#8217;s film Miral. His work is included in group exhibitions at Modern Art, London, and Kunsthalle Bielefeld, Bielefeld, Germany.
Museo Correr in Venice (Italy) stages a major exhibition dedicated to Schnabel: Julian Schnabel. Permanently Becoming and the Architecture of Seeing.

His work can be seen at CFA Contemporary Fine Arts in Berlin and Guy Pieters Gallery in Knokke-Heist, Belgium.

Café Dolly: Picabia, Schnabel, Willumsen is organized by the J. F. Willumsen Museum in Frederikssund, Denmark. The show later travels to the NSU Art Museum in Fort Lauderdale, Florida, USA.
Julian Schnabel opens at the Brant Foundation in Greenwich, Connecticut, USA.

Solo exhibitions are hosted by a number of galleries: An Artist Has a Past (Puffy Clouds and Strong Cocktails), 13 Paintings Over The Last Decade at Dallas Contemporary, in Dallas, Texas, USA; Every Angel Has a Dark Side at the Dairy Art Centre in London; and LA NIL: Paintings 1988–2014 at the Museu de Arte de São Paulo, Brazil.
His works Spain (1986) and Fakires (1993) are included in The Art of Our Time: Masterpieces from the Guggenheim Collections, a major exhibition at the Guggenheim Museum Bilbao.
Exhibitions of his work are held by Galeria Raquel Arnaud in São Paulo and New York-based galleries Karma and Gagosian Gallery.

Almine Rech Gallery in Paris and Andrea Rosen Gallery in New York organize exhibitions of Schnabel’s work.

Julian Schnabel Plate Paintings 1978–86 opens at the Aspen Art Museum in Aspen, USA.
Shows his work at Blum &amp; Poe in Los Angeles, USA; Vito Schnabel Gallery in St. Moritz, Switzerland; and the Ludwig Museum Koblenz, in Germany.

Paintings that I hope Philip and David would like is on display at the Glass House in New Canaan, Connecticut, USA.
Presents work at Pace Gallery and Almine Rech Gallery, both in New York.

At Eternity’s Gate is released, a film about the final years of Van Gogh’s life directed by Schnabel.
Julian Schnabel: Aktion Paintings 1985–2017 is organized by the ARoS Aarhus Kunstmuseum in Aarhus, Denmark.
With the opening of Orsay through the Eyes of Julian Schnabel, the artist becomes the first living contemporary artist to exhibit in the Museé d’Orsay in Paris.
Presents his work at Pace Gallery in London, and his photographs at OstLicht Gallery for Photography in Vienna.

The exhibition Julian Schnabel is on at the Hall Art Foundation, Schloss Derneburg Museum in Holle, Germany.

Hosts exhibitions at the Pace Gallery in New York, the Vito Schnabel Gallery in St Moritz, Switzerland, and the Kunstverein non-profit art association.
Becomes a member of the American Academy of Arts and Letters.

Solo exhibitions across the United States and Europe: Böhm Chapel in Cologne, Germany, The Brant Foundation Art Study Center in New York, Pace Gallery in Palm Beach, Florida, Osthaus-Museum in Hagen, Germany, and Galerie Max Hetzler in Berlin.

The Hall Art Foundation presents Versions of Chuck, Revisited at Kunstmuseum Schloss Derneburg in Germany, gathering the eight monumental paintings first included in the Foundation’s inaugural show at Schloss Derneburg in 2007.
Both the Vito Schnabel Gallery in New York and the Pace Gallery in Los Angeles organize shows of his velvet paintings.
Participates in Sections/Intersections. 25 Years of the Guggenheim Museum Bilbao Collection, an exhibition of works from the Museum Collection staged to celebrate the Museum’s 25th anniversary.

Solo exhibitions at the Pace Gallery in New York, Robilant + Voena in Milan, The ’Quin House in Boston, and Fondation Linda et Guy Pieters Saint-Tropez.

Completes shooting of film In the Hand of Dante.

Schnabel, Julian

Spain

Fakires

Julian Schnabel’s biography and works on display at the Guggenheim Museum Bilbao

Biografía y obras: Schnabel, Julian | Guggenheim Museum Bilbao

Richard Serra

Studies English literature at the University of California, Berkeley, graduating in 1961. Works in steel mills to earn a living.

Begins studying fine arts at Yale University, graduating in 1964. Meets Philip Guston, Robert Rauschenberg, Ad Reinhardt, and Frank Stella during these years.

Works with Josef Albers on the book The Interaction of Color.

Travels to Europe for two years. Spends the first year in Paris on a Yale traveling fellowship. Discovers the work of Brancusi. Almost every day for a month, Serra draws Brancusi&#8217;s works at the artist&#8217;s studio. Will later state, &#8220;That&#8217;s how I made the shift to sculpture.&#8221; Spends the second year in Florence on a Fulbright grant. Has his first solo show, at Galleria La Salita in Rome. Begins working with materials rarely used in sculpture, such as rubber and fiberglass. Returns to the United States, settling in New York, where he associates with artists such as Carl Andre, Walter De Maria, Eva Hesse, Sol LeWitt, Robert Smithson, Robert Morris, and Bruce Nauman.

Begins the Splash series. Makes the 16-mm film Hand Catching Lead.

Makes One-Ton Prop (House of Cards) , which consists of four upright lead sheets leaning against one another. Begins to work in steel. Through the Art and Technology Program of the Los Angeles County Museum of Art in California, makes the Skullcracker series on the grounds of Kaiser Steel Corporation in Fontana, California. Starts a series of large, interior steel installations and begins working with structural engineers. Exhibits for the first time in the United States, at the Leo Castelli Warehouse in New York.

Visits Robert Smithson and Nancy Holt during construction of Spiral Jetty at the Great Salt Lake in Utah and helps with its layout. Travels to Japan with Joan Jonas; participates in the Tokyo Biennial and discovers the Zen gardens of Kyoto. Has a solo exhibition at the Pasadena Art Museum in Pasadena, California. Creates his first site-specific work and the first of his large outdoor sculptures with Pulitzer Piece: Stepped Elevation near Saint Louis, Missouri. Receives a grant from the John Simon Guggenheim Memorial Foundation.

Makes his first black canvas drawings. Presents Semi-Circular Elevational Steps, an outdoor sculpture in which he uses steel curves for the first time, at the exhibition Art and Technology at the Los Angeles County Museum of Art.

Participates in Documenta 5 in Kassel, Germany, and the XXXVI Biennale di Venezia.

Receives the Skowhegan Medal for Sculpture from the Skowhegan School of Painting and Sculpture in Maine. Exhibits at the Portland Center for the Visual Arts in Portland, Oregon.

An exhibition of the artist&#8217;s drawings is presented at the Stedelijk Museum in Amsterdam. Participates in Documenta 6 in Kassel, Germany.

The Kunsthalle Tübingen organizes a retrospective of Serra&#8217;s work. The show later travels to the Staatliche Kunsthalle Baden-Baden. Participates in the XXXVIII Biennale di Venezia.

Exhibits at the Museum Boijmans Van Beuningen in Rotterdam and at the Hudson River Museum in Yonkers, New York. Takes part in the XXXIX Biennale di Venezia.

Tilted Arc is installed at Federal Plaza in New York. Receives the Kaiserring prize from the city of Goslar, Germany, and subsequently exhibits at the Mönchehaus Museum für Moderne Kunst in Goslar.

Visits Spain to study Mozarab architecture. The Saint Louis Art Museum holds an exhibition of Serra&#8217;s drawings that later travels to the Carol Taylor Art Museum in Dallas. Participates in Documenta 7 in Kassel, Germany.

Exhibits at the Musée National d&#8217;Art Moderne, Centre Georges Pompidou in Paris. To complement the exhibition, the sculpture Clara-Clara is installed in the Jardin des Tuileries.

Artists

S

Ixone Sádaba

Xabier Salaberria

Doris Salcedo

Antonio Saura

Julian Schnabel

Richard Serra

Alyson Shotz

Susana Solano

Clyfford Still

Thomas Struth

T

Antoni Tàpies

Francesc Torres

Cy Twombly

U

Darío Urzay

Juan Uslé

V

Manolo Valdés

W

Andy Warhol

Y

Lynette Yiadom-Boakye

#MYGUGGENHEIMBILBAO